L_ Death Note

Name		L Lawliet
Alias		Ryuuzaki
· · ·		Ryuuga
Race		Human
Gender		Male
Age		24 years old(born October 31, 1982)(anime)
· · ·		24 years old(born October 31, 1979)(manga)
Hair		Black
Eyes		Gray/Black
Height		179 cm
Weight		50 kg
Status		Detective
Quote		"I think 40% better when I sit like this."
Voice		Kappei Yamaguchi
Debut		Episode 2(on computer screen)
· · ·		Episode 3(partial, full face not disclosed)
· · ·		Episode 6
Anime		Death Note

Character Description: L Lawliet

L is a private detective, the world's top detective. He never shows his face to anyone. When he makes his debuts it's with a computer screen that reads L and a mechanical voice. When he finally does reveal himself to only a chosen few, no one was prepared for what they saw. He's young, loves sweets and hates to wear shoes. He's very serious and hates to lose.

When he starts the Kira case, he immediately begins the investigation with Light. As Light tries to prove his innocence, L gets more proof that Kira is, in fact, Light. He even invites Light the join the Kira investigation in order to gain more evidence against him, but unfortunately Light is always three steps ahead.

L's real name, Lawliet, is finally revealed in "How to Read 13", which is considered to be the 13th volume of the Death Note manga series. He was born on October 31, 1979, enters the series on December 4, 2003 at the age of 24, and dies on November 5th of the following year at age 25. However, the anime adjusts the years a bit, making L's birth occurring in 1982.

Dewi Persik raih Award Artis Tersilet 2008???

Hari Selasa, 21 Oktober 2008 menjadi hari istimewa bagi Artis Dangdut bernama asli Dewi Muria Agung. Pasalnya, untuk pertama kali dalam hidup, si Ratu Gergaji Dewi Persik, mendapat Award dari tayangan infotainment kenamaan. Dewi Persik mengaku bahwa sejak lama dia berharap dan hanya bisa bermimpi untuk menerima sebuah trofi Award.

Dan, benarkah beribu pencekalan goyangan, gosip panas rumah tangga dan kisah cintanya serta perseteruan sengit yang memenuhi hari-harinya itulah yang membuat Dewi Persik keluar menjadi pemenang Award?

Deddy Mahendra Desta

Dari Wikipedia bahasa Indonesia, ensiklopedia bebas

Deddy Mahendra Desta
Latar belakang
Nama lahir	Deddy Mahendra Desta
Lahir	15 Maret 1977 (umur 32) Solo, Indonesia
Pekerjaan	musisi, aktor, penyiar radio
Tahun aktif	1998 - sekarang
Berhubungan dengan	Clubeighties

Deddy Mahendra Desta (lahir di Solo, 15 Maret 1977; umur 32 tahun) adalah seorang drummer di band Clubeighties. Tak hanya sukses sebagai pemian band yang bersama grup bandnya, Clubeighties, telah merilis 4 album sampai awal tahun 2007, Desta pun dikenal sebagai presenter dan pemain film. Ia menjadi presenter di acara H2C (Harap-Harap Cemas) bersama Arie Dagienkz, penyiar Radio Prambors (Jakarta). Popularitasnya melejit setelah menjadi presenter acara yang kontroversial, MTV Bujang. Sebelumnya, lulus IKJ jurusan Desain Grafis ini menjadi partner Arie Dagienkz di acara PUTUSSS yang disiarkan setiap pagi di Radio Prambors.

Bersama Arie Dagienkz, ia pernah bermain dalam film layar lebar Garasi sebagai pemeran pembantu sebagai Revi. Di tahun 2007 ia bermain dalam film Get Married bersama Ringgo Agus Rahman dan Nirina Zubir. Pengalaman akting pertama Desta adalah ketika menjadi aktor cabutan untuk salah satu tugas kuliah temannya. Desta juga pernah beberapa kali ikut teater, antara lain Bawang Merah Bawang Putih, dan sempat terlibat dalam pagelaran teater yang diselenggarakan oleh anak-anak KBRI di Singapura.

Filmografi

• Garasi (2006)
• I love you om.. (2006)
• Get Married (2007)
• Oh My God (2008)
• Barbi3 (2008)
• Si Jago Merah (2008)

Diskografi

• Clubeighties
• 1982
• Summer 83
• Summer Moved on (Repackage)

30 Seconds to Mars

30 Seconds to Mars
30 Seconds to Mars
Background information
Origin	Los Angeles, California, USA
Genre(s)	Emo123 Post-grunge4 Post-hardcore5 Rock64
Years active	1998–present
Label(s)	Immortal, Virgin
Associated acts	Angels & Airwaves Great Northern The Used
Website	Official website
Members
Jared Leto Shannon Leto Tomo Miličević
Former members
Matt Wachter Solon Bixler Kevin Drake

30 Seconds to Mars is an American rock band from Los Angeles, California, formed in 1998. The band features actor Jared Leto as vocalist, rhythm guitarist and songwriter.

Contents 1 History 1.1 Formation 1.2 30 Seconds to Mars (2002–2005) 1.3 A Beautiful Lie (2005–2008) 1.4 Virgin Records lawsuit and This Is War (2008 - present) 2 Awards 3 Logo 4 The Echelon 5 Band members 6 Discography 6.1 Acoustic songs 6.2 Non-album tracks 6.3 Songs featured in media 7 Videography 8 Further reading 9 References 10 External links

History

Formation

Created in 1998 by Jared Leto brother, Shannon, 30 Seconds to Mars began as a small family project. Matt Wachter later joined the band as bassist and keyboard player. After working with a number of guitarists (as the band's first two guitarists, Kevin Drake and Solon Bixler, left the band due to issues primarily related to touring), the three auditioned Tomo Miličević to round out the band's roster.

According to an interview from Virgin Records, the band's name

"actually comes from a thesis that the band found online that was written by a former Harvard professor. And one of the subsections of the thesis was titled 'thirty seconds to mars sic' and he goes on to talk about the exponential growth of technology that relates to humans and saying that we are quite literally thirty seconds to mars. What it means to us is, we thought it best described our music, in short."⁷

Even though Leto is a major Hollywood actor, he prefers not to use this information to "sell" the band; in fact, Leto hates attention given to himself more than the band so much that he refuses to play shows if they have used his name as a movie star to promote the band.

http://www.celebritygenius.com/30-Seconds-to-Mars/biography.html

PAniC @The DIsCo!!!

For a second, forget everything you already know about Panic At The Disco. That means forgetting that the band’s 2005 debut A Fever You Can’t Sweat Out has sold over 2.2 million copies to date; that their video for “I Write Sins Not Tragedies” became a #1 hit on MTV and snagged one of the network’s video music awards for best video in 2006; and, finally, erasing from your mind all of the sold-out clubs the band have played over the past three years and the ubiquity of Panic At The Disco’s music—and mugs—on radio stations, television programs and magazine covers all over the world. These days, a sensation like Panic At The Disco is something extremely rare and impossible to invent and for those two reasons alone, most bands in their position would stick to the same signature sound for their second disc.

However, Panic At The Disco aren’t most bands. Instead, the band—guitarist Ryan Ross, drummer Spencer Smith, vocalist Brendon Urie and bassist Jon Walker— decided to make the album they wanted to make for their sophomore release. While the album is equally as catchy and infectious as their debut, Pretty. Odd. sees the band digging through their parents’ record crates to craft an expansive pop album that channels the ghosts of Brian Wilson and the Beatles as well as lesser-known pop sensations like the Zombies. However, for a while even the band weren’t sure if Pretty. Odd. would ever come to fruition. Panic At The Disco began writing the album a year ago, but after they’d written a solid batch of concept-driven songs, they stopped to reevaluate what they were doing and ended up deciding they were over thinking the process. “Instead of really throwing anything away, we decided to just move it to the side and approach the second record the same way we did the first record,” Ross explains. “We tried to approach the songs individually and write songs that didn’t sound like anything else we’ve written,” he continues. “Now we’re finally at the point where we can sit down and listen to the finished record and I know we’re happy with it, so I think it was a really good decision—especially since we hope that we’re going to have multiple opportunities to fully realize what our first idea was in the future.”

That’s not too say Pretty. Odd. isn’t dripping with ambition—in fact, if anything, the opposite is true. From the bouncy and psychedelic first single (and accompanying video) “Nine In The Afternoon” to the spaghetti-western shuffle of the horn-driven “Pas De Cheval” and the straight-ahead pop genius of “Northern Downpour,” Pretty. Odd. sees the band stepping outside their comfort zone to prove how much they’ve grown up since their debut, which was written when the members were just seventeen years old. “It wasn’t a conscious decision to have older influences show through on this record, it just seemed like around the beginning of the sixties there were less subgenres, so it wasn’t weird for songs to have a trombone part or violin part,” Smith explains, adding that in some ways,
his parents’ dusty old records helped sonically liberate the band. “I think that will probably something that will stick with us after this record.”

Another huge difference between these two albums is the fact that Pretty. Odd.’s basic instrumentation was recorded at the Palms Hotel in the band’s hometown of Las Vegas, while the strings and mixing was done at the legendary Abbey Road Studios in London with the help of their producer, Grammy and Emmy Award winning arranger/composer Rob Mathes. “It was an amazing experience,” Smith says, adding that recording the strings in studio two of Abbey Road was a pretty surreal experience for a band who had to call their label’s owner John Janick to approve three hundred dollars to hire a trumpet player to play on their debut. “We’re really happy with how the orchestration turned out on this record and that’s probably the biggest change from the last album,” Spencer confirms. In the spirit of acts like the David Bowie and Pink Floyd, Panic At The Disco plan
on continuing their tradition of elaborate stage shows and performances for the subsequent touring. However this time around they’re finally confident in having their music speak for itself, which is an achievement the band have looked forward to since their inception. “I just hope that if anything people are open to the idea that Pretty. Odd. may not sound exactly like the first record,” Ross explains. “All we can ask for is that people give it a chance because there are alot of songs that sound very different, but I think it’s more creative and more musically interesting than most of what is at the top of the charts right now.”

http://www.absolutepunk.net

Travis Barker

Travis Barker
Latar belakang
Nama lahir	Travis London Barker
Lahir	14 November 1975 (umur 33)
Asal	Fontana, California
Genre	Pop-Punk hip-Hop punk Rock
Instrumen	Drum, Keyboard
Tahun aktif	1994-sekarang
Terkait dengan	The Aquabats Blink 182 Box Car Racer Expensive Taste The Transplants The Suicide Machine +44
Situs web	TravisBarker.com

Travis London Barker (lahir 14 November 1975; umur 33 tahun) adalah pemain drum asal Amerika Serikat. Namanya terkenal setelah menjadi pemain drum untuk grup Pop-Punk Blink 182, tapi sekarang dia bermain untuk +44. Barker juga bermain untuk beberapa grup musik seperti Box Car Racer, The Transplants, Expensive Taste, The Suicide Machines, dan The Aquabats.
Di seluruh badan Travis dipenuhi tato. Pertama kali Travis membuat tato ketika berusia umur 17 tahun. Tato tersebut bertuliskan "BONES" yang tak lain adalah namanya waktu kecil.
Travis sudah menikah dua kali. Travis menikah dengan Melissa Kenedy pada 22 September 2001 tapi pasangan ini hanya bertahan selama 11 bulan. Pasangan ini bercerai pada tanggal 6 Agustus 2002. Pada tanggal 30 Oktober 2004 Travis menikah kembali dengan Miss USA 1996 Shanna Moakler. Travis dan Moakler mempunyai 2 orang anak yaitu Landon Asher dan Alabama Luella, serta 1 Moakler Atiana Cecilia de la Hoya anak dari pacar istrinya dengan petinju Oscar De La Hoya. Setelah hampir 2 tahun bersama Travis pun menuntut minta cerai.

http://id.wikipedia.org/wiki/Travis_Barker

My Chemical Romance

Ok deh ini bwat Katy yang request McR:


Mcr terbentuk di New Jersey, aliran band yang satu ini bisa dibilang emo-rock(sebenarnya mereka menolak bila beraliran emo) meskipun terdapat sedikit unsur pop didalamnya. Kebanyakan lagu mereka Keras, cepat,dan Agresif,namun juga ada yang juga melodik (yah,kayak2 musik pop gitu lah).

Di awal tahun 2000, Gerard way (vokal) dan Mat Pelisier (dram) jalan bareng bwat nyiptain beberapa lagu, lagu pertama mereka adalah "Skylines and Turnstiles" (lagu yang mengisahkan perjalanan mereka di new york) dan juga serangan 9/11). Gerard dan Pelisier merasa puas pada lagu tersebut dan mulai mengajak Ray toro (gitar) untuk bergabung bersama. FOrmasi ini semakin solid dengan masuknya adik Gerard Way ,Mikey Way (bas) serta diikurti Frank Iero (gitar), Bersama, McR manggung di North East Corridor kemudian disusul dengan lahirnya albu pertama mereka.

2002, Eyeball records (perushaan rekaman indie) meluncurkan album pertama McR "I Brought You my Bullets, You Brought Me Your Love" sekedar informasi, album tersebut di produseri oleh Geoff Rickly (vokalis band Thursday). McR waktu itu sering di banding2kan dengan Thursday, mereka dibanding2kan karena berbagai alasan; lirik,sama2 dari New Jersey,lirik2 yang konfessional,dan sama2 berada dibawah perusahaan rekaman yang sama. Meski begitu, Thursday bukan satu-satunya inspirasi bagi McR ,band-band yang berpengaruh besar bagi McR adalah: Morrison,The Cure,The Smashing Pumpkins, dan The Misfits.

Dilihat dari segi lirik, "I Brought you my Bullets,and You Brought Me your Love" terdengan sangat gelap, dan mencerminkan rasa sakit dan depresi yang mendalam.lagu2 nya antara lain ;"Honey, This Mirror Isn't Big Enough for the Two of Us," "Drowning Lessons," "Headfirst for Halos," "Our Lady of Sorrows,"disusul "Vampires Will Never Hurt You". Setahun kemudian (2003) Mcr direkrut oleh perusahaan rekaman raksasa "Warner Bros".

Album kedua yang banyak dikatakan oleh sebagian besar orang beraloran emo "Three Cheers For Sweet Revenge" sukses meledak dipasaran (DUAR!!heehe) dengan Hit-singlenya "helena" McR sukses konser di seluruh belahan dunia, bahkan Helena sukses jadi lagu yang paling populer dan menjadi Ballad.disusul dengan "The Ghost Of You","Im Not Okay",dan "Thank For the Venom"

Kini dengan senjata baru mereka "The Black Parade",McR seolah ingin meninggalkan kesan "emo" dalam diri mereka meskipun di album ini juga ada sedikit unsur "dark".Memang, Welcome To The Black Parade sukses dipasaran tapi menurut aku lagu2 di album ini tetap kurang "bunyi" atau kurang keras bila dibandingkan dengan 2 album sebelumnya.Dengan Personel yang kompak (belum pernah ganti) kita harapkan McR bisa lebih berkembang di album selanjutnya.

klo ada kesalahan profil,kontak lewat shoutbox atau email yah!....

Gaara Shura

Gaara, by Ben Seery.

Gaara is the son of the Fourth Kazekage and the younger brother of Temari and Kankuro. Because of Sunagakure's decreases in funds, Gaara's father ordered Chiyo to seal the One-Tailed Shukaku within Gaara during his birth in the hopes that he would become the ultimate weapon for the village. Because a sacrifice was needed, Gaara's mother, Karura, was used. Before she died, Karura cursed Sunagakure, hoping Gaara would avenge her death.
Gaara was trained by his father, but raised mainly by his uncle, Yashamaru. Because of the power of Shukaku, the villagers of Sunagakure hated and feared Gaara, seeing him only for the monster sealed within him. For a time, Yashamaru seemed to be the only person who cared about Gaara. When Gaara would mistakenly harm others due to the subconscious abilities granted to him by Shukaku, Yashamaru would be the only one who understood that Gaara hadn't intended to harm anyone. Gaara's father, however, did not see Gaara in the same light, and viewed Gaara's frequent attacks upon villagers as a result of a failed experiment that was a threat to the village.
Because of the danger Gaara imposed, his father began sending assassins to kill him, though when all attempts met with failure, the Kazekage asked Yashamaru to kill Gaara. As a result, Yashamaru tried to assassinate Gaara, though Gaara's abilities defeated Yashamaru with ease, saddening Gaara. Although Gaara tried to dismiss Yashamaru's attack as an order of the Kazekage, Yashamaru corrected him by saying that he had willingly accepted the mission. Having never truly loved Gaara, Yashamaru hoped that killing Gaara would avenge the death of his sister, who had named Gaara after the phrase "a self-loving carnage" (我を愛する修羅, Ware wo ai suru shura?), a sign of her hate for Gaara. In a last ditch effort to kill Gaara, Yashamaru detonated a number of explosive tags covering his body, asking Gaara to, "Please die." Gaara survives the blast and loses the only person he thought had cared for him.
While Gaara had initially tried to be friendly towards others despite their fear of him, Yashamaru's actions and words changed Gaara. Realizing that nobody loved him, Gaara used his sand to create the kanji on his forehead (愛, "Love") as a symbol of a "demon loving only himself". Gaara became emotionally withdrawn, all but silent, and consumed with a bitter loathing for everyone but himself. He learned to find pleasure and eventually a reason to live in annihilating the numerous assassins sent to kill him – and by extension, anyone who threatened his existence. Gaara's insomnia, forced upon him by the fear that the demon inside him would eat away at his personality if he were to fall asleep, only furthered his instability and desire to kill. In time, Gaara's father would come to appreciate Gaara and the uses he could serve, and canceled all assassination orders in the hopes that Gaara would become an effective tool.
Gaara's childhood was somewhat similar to Naruto Uzumaki's, albeit more unfortunate due to his lack of anyone to call a friend. Both were lonely and desired to be liked, loved, and acknowledged as an individual, free of others' prejudices — they are themselves, not the demons they were forced to "contain" — and both were driven into a desperate state. While Naruto consequently developed the misconception that pranks and mischief would bring him the attention he sought, Gaara came to the conclusion that he could preserve and confirm his own existence by killing any and all who challenged it, securing an extreme form of existentialism as his key personality trait. In the absence of others' acknowledgment, he could compensate by valuing only himself to the exclusion of everyone else. Furthermore, while Naruto eventually had Iruka Umino and Team 7 to acknowledge him, Gaara never had anyone to bond with and did not understand the concept of fighting for anything other than himself until his confrontation with Naruto.

Gaara and Shukaku